Entertainment
Cinema as an ever changing domain
Reality and movies?
There are moments when the realism on screen is so wonderfully complex yet simply presented that you laugh , cry , move and grow with the charachters. There is however an important question to ask oneself on what comprises as a story and the process of creating movies based on real life . Real life inspired movies evoke emotions and heighten human feelings but is there overcompensation for creativity by picking up anecdotes from lives , war ,and battles ? Is the idea of a biopic or a movie like Uri so appealing that there is hardly any space for other films left . The brutal way in which filmmakers today takeover someone's loss, tragedy or shock and create a business around it is heartbreaking more often than less. Yes some biopics are truly moving and a absolutely beautiful but is it truly a celebration of life or a success formula. With recent events in the lives of the army at Galwan where more than 20 soldiers were martyred in a court somewhere filmmakers were getting copyright patents finalised. Is this commodification of lives truly what viewers intend to see, most wouldn't. It doesn't mean that real life incidents shouldn't be displayed, they deserve the attention and representation but they have to remain to be art .It is extremely essential for the things around us to be portrayed, reflected and represented but it in no way means that every incidents as soon as it happens need to be processed into a film before those who have suffered have even processed that grief. It is a voluntary act to be comfortable with letting the world see you through your biopic but shouldn't creative realism transcend the over use of people's lives and move towards a more content generated wave of cinema that we see today. Today more and more filmmakers want to let content drive their films and not the larger than life fantasy. So its it's an act of introspection that a film enthusiast has to do , towards the kind of stories that they seem important and want to see while at the same time being sensitive to what those films represent .